15/04/2015

Casual Bites, Wine and Onyis Martin’s Exhibition

‘Art is a lie that brings us closer to the truth’. It was the great Spanish painter Pablo Picasso who invoked this almost a century ago.  There was nothing untruthful though about the artistic display on Thursday the 9th of April as we, the art lovers, converged at the Casual Bite in Westlands in the evening for an exhibition by Onyis Martin.

Onyis Martin describes his work as conceptual. You draw a meaning from his work based on your own life experiences. Beauty lying in the eye of the beholder kind of art. He uses mixed media and his work has a 3D feel to it that helps to utilize not only the sense of sight but also that of touch.
 
 The beautiful paintings had the predominant imagery of a bicycle (creatively embossed on the canvas using stove wick), shadows and a single vertical wick at the centre of the canvas with a knot on the upper end.

I can try hard to paint a picture here of what the multi-talented Onyis wishes to accomplish through his paintings but I am well aware that I won’t do much justice to his well thought of and executed medium. So allow me to quote a paragraph from his Biography

“Through his paintings, Onyis leads us into his own cultural world, a world in which the sacred and the profane constantly mingle, in which worship and domestic life are one and the same, in which every gesture has a pre-established purpose and in which everything has a meaning. Within that culture, everything is determined in advance; everything that occurs in the present can be explained in terms of the past and has to be ritualized so as to be integrated into everyday life, which is itself a ritual. As we walk into his paintings, we have to look deep into our own souls for it awakens sensations and feelings, which we, caught up as we are in an inhuman[e] and artificial world, thought were lost forever.”


Well, imagine such poetic beauty collected from contemporary subject matter and beautifully translated with paint on canvas and, like a neurosurgeon on an operating table, you will have managed to pick a piece of Onyis’s brain... 

 The evening was not short of networking opportunities as the art lovers mingled freely with wine glasses in hand and bitings laid out on every table. The new Director of the Italian Institute of Culture, Ms Francesca Chiesa,graced the occasion in the company of several other Italian art enthusiasts.  
It is also only right to mention Luca Berardi, who was the ‘oldest’ art lover of the evening at 11 years of age.

 The young man, himself an upcoming author and an animal rights crusader, was quite a delight and already knows what he wants to do with his life. You can check him out on YouTube, Twitter and Facebook as well as on www.yarhkenya.blogspot.com  

Such a beautiful outing wouldn’t have been complete without some music to our ears. As the guests settled down from the exhibition, some poetry and music was in order.

 
First on stage to dispense a dose of poetic justice was Mtheto Hara with a piece he had specifically written for Onyis’ exhibition. 

He breathed more life to the paintings as only he can, then quickly settled back to his traditional theme of choice: LOVE.
 
Then came the soft-spoken but powerful Kelvin Kaesa who opened with an emotional and beautiful poetic tribute to the Garissa Terror Victims. There was strength and healing power in that particular performance.

Next was Winnie Kamau with four songs on relationship hurdles and forgiveness. We were warned against being concerned much with the speck in our brother’s eye at the expense of the log in our own before we joined her in a rendition of the ever redeeming Redemption Song by Bob Marley.

Steve and Alfred of Yabadoo Kenya closed the entertainment chapter. 


Their first song Lifestyle was all about what we want while my favourite, Gaucho was about this over-protective girlfriend. Bus Station and Umenishika ka Gava are also part of their creative production.

Two intensive hours of food for the body, mind and soul were brought to a close with a word of appreciation from Giorgio Berardi, the Project Manager at CEFA. 
The whole evening was made a success by facilitation from this wonderful institution that has endeavoured to give training opportunities and exposure to artists from multiple disciplines through a two-year journey. All the artists of the night are beneficiaries. The project has the support of the European Union, the Ministry of Culture, Sports and the Arts, the Italian Institute of Culture, Alliance Française, and Goethe Institute.















PHOTOS COURTESY OF Humphrey Odero www.oderophotoz.blogspot.com

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